Wednesday, March 30, 2016

Meet the lawyer who paid for the Rolling Stones concert in Havana

Meet the lawyer who paid for the Rolling Stones concert in Havana

Curaçao's Gregory Elias says the show was about having fun, not politics
By some accounts, it cost $7 million to bring the Stones to Cuba
And they STILL didn't play his favorite song


Gregory Elias finished his pitch, paused, and waited for the little
beep-beep-beep in his ear that would signal that the party on the other
end of the telephone —Jayne Smyth, the manager of the Rolling Stones
—had hung up after realizing that he was a madman. At best, he thought,
he might get a shouted answer that would reveal which part of his
proposal was loonier — that the Stones do a concert in Cuba (where not
so long ago, listening to rock and roll was a jailable offense) or that
they do it for free.

Instead, there was a long pause. "Well, that's certainly a unique
proposal," Smyth finally replied. "Let me get back to you."

That seemingly inauspicious and slightly weird conversation last Nov. 13
turned out to the beginning of a complicated trans-Atlantic negotiation
that would eventually bring the world's most venerable (and wealthiest)
rock band to communist-ruled Havana last week for a free concert that
drew, by some estimates, half a million fans.

Elias, a wealthy corporate lawyer in Curaçao who funded the concert
through his charitable trust, still can't quite believe his call to the
Stones worked. "I mean, who in heaven's name am I?" he said Tuesday,
recalling the conversation. "I didn't expect her to call back. But 24
hours later, she did. And it was a go." Attempts to reach Smyth for
comment were unsuccessful.

Because the concert took place the same week as President Obama's
historic visit to Cuba, the first by an American president since 1928,
it's been widely assumed that the timing and preparation were somehow
linked. But Elias says it was all a coincidence triggered when he read
the news that the Stones were launching a five-week tour of Latin
American in early February.

His Baby Boomer love for big rock festivals like Woodstock, and his
knowledge that Cuban officials were already searching for cultural
exchanges to open the island up, gave Elias the idea to reach out to the
Stones. And Elias had some connections through an annual Curaçao jazz
festival that his foundation funds that has included acts like Stevie
Wonder and Alicia Keys.

But until Smyth called back, 24 hours after his first contact, to say
the band wanted to do it, Elias had no idea just what a complex
undertaking he had launched. "When the boys — that's how Mrs. Smyth
calls them —when the boys go on tour, what they put together is
completely out of this world," he said. "It is the best and it has to be
better than anything else. The production team had to start thinking how
to make this possible."

Cuba's blighted economy barely can turn out basic necessities, much less
all the gadgetry and ephemera necessary to produce the technological
circus that is a modern rock concert. Practically everything, from light
towers to bottled water, had to be obtained elsewhere and flown in.

The Stones themselves agreed to do the show for free, but all those
suppliers had to be paid. Rolling Stone magazine reported the concert
cost $7 million to stage. Elias won't talk about the financial details —
"Please don't ask me indecent questions," he said in a stern voice
before breaking into giggles — but agrees it "wasn't cheap" for his
Fundashon Bon Intenshon to pick up the tab. (Some of the bills may be
paid from sales of a DVD recording of the concert, which will go on sale
later this year.)

Compared to the financial side of the concert, Elias said, the political
negotiations were simple, though time-consuming. Officials of the
Curaçao government helped him iron out details with the Cuban ministers
of culture, finance and economics. Ricardo Cabrisas Ruiz, a vice
president of the Cuban council of ministers, the country's cabinet, was
also involved in the negotiations — but Raúl Castro was not, so far as
Elias knows.

What problems came up, Elias said, were less ideological than
generational. "I remember one elderly gentleman —I'm not going to give
you his name —who, when we started the negotiations at the governmental
level, said, 'The rolling who?'" Elias said. "He had no idea what we
were talking about or who we were referring to."

It may not seem obvious why a Curaçao charitable foundation or its
attorney benefactor would spend all that time money on a free concert
for Cubans, but Elias says there were no hidden political or economic
motives to the concert. "I've never done any business there," he said.
"Never. I visited there during the 1990s, but that's all I did, visit."

The only agenda he had, Elias said, was to do something nice for the
Cuban people, who haven't had an easy time of it for the past few decades.

"If we consider it from a Western point of view, from the outside
looking in, the people of Cuba miss a lot," he observed. "I thought it
would be nice to approach them with music. Music doesn't create envy or
animosity, it just creates love and understanding."

Though Elias did feel one teeny, tiny spark of animosity himself during
the concert. The Stones didn't play his favorite of their songs, Far
Away Eyes. It seems that even when you're picking up the tab, you can't
always get what you want.

Source: Meet the lawyer who paid for the Rolling Stones concert in
Havana | Miami Herald -

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