HEMINGWAY'S FAMED FISHING BOAT IS GETTING A FACELIFT

CUBA: HEMINGWAY'S FAMED FISHING BOAT IS GETTING A FACELIFT
by Orlando Matos
Special to the NNPA from GIS
Originally posted 11/13/2006

HAVANA, Nov. 6, 2006 (IPS/GIN) -- Cultural authorities in Cuba are
undertaking what Washington has not done: they are restoring the fishing
boat that inspired one of the most famous novels of U.S. writer Ernest
Hemingway (1899-1961).

Ever since he took possession of the yacht ''Pilar'', commissioned from
Wheeler Shipyards in New York in 1934, Hemingway, who lived in Cuba for
20 years, spent a great deal of time on the vessel, enjoying his passion
for sailing and fishing, and mulling over material for his classic
novella ''The Old Man and the Sea''.

The book, published in 1952, earned him a Pulitzer Prize, foreshadowing
the Nobel Prize for Literature which he was awarded in 1954. The novella
is considered by some critics to be the second greatest fishing story of
all time, after ''Moby-Dick'' by U.S. writer Herman Melville.

The United States has not contributed anything towards the restoration
work that Cuban experts began on Oct. 16.

''We have begun the first phase of what's going to be an excellent
repair job on this yacht,'' naval engineer Ren Guerra told IPS; he is
directing the detailed restoration work, undertaken by the Cuban Tourism
Ministry's Marlin shipyards.

''Now we're removing the paint on the hull above the waterline, then
we'll fill the joints with putty, then we'll apply wood sealant and
finally ordinary synthetic enamel, which is what was used at the time
she was built,'' said Guerra.

Afterwards, the Cuban restorers will move on to the roof, the internal
structure, the bathroom, the lighting and the engine.

''We'll work on the engine, a Chrysler Crown of the period -- that is,
we'll replace its fuel system, cooling system and exhaust, which are
missing at the moment,'' he explained.

Dana Hewson, curator of the Mystic Seaport maritime museum in the
northeastern U.S. state of Connecticut and an authority on preserving
wooden vessels, inspected the boat in 2002, and said that although the
tropical climate and termites had caused some deterioration, ''she looks
to be in pretty good shape.''

However, Hewson said a thorough assessment was needed to find out
whether the ''Pilar'' needed just ''a cosmetic paint and varnish job, or
something more structural.''

Guerra said the goal is a complete restoration, which will leave the
boat with as many original features as possible.

''The sheer number of details means the restoration will probably take
about six months,'' he said.

''We don't intend the boat to go to sea again, but we do want visitors
to see her, if not sailing, at least ready to put to sea, because even
the engine will have all its systems connected,'' Guerra said.

According to scholars, Hemingway and the boat's skipper, Gregorio
Fuentes, on whom the character of Santiago the fisherman in ''The Old
Man and the Sea'' was modelled, came to a gentlemen's agreement that
after the death of either one of them, the ''Pilar'' would never sail again.

About six weeks after Hemingway's suicide on Jul. 2, 1961, his widow
Mary Welsh gave the boat to Fuentes, who kept his promise and donated
her to Finca Vigia (Lookout Farm), 15 kilometres from Havana, formerly
Hemingway's Cuban home and converted into a museum in 1962.

Hemingway and Fuentes became fast friends during the course of their
marlin-fishing expeditions and patrols tracking German submarines during
World War II (1939-1945). The U.S.-based International Game Fish
Association awarded the rare honor of their ''Captain's'' title to the
Cuban seaman shortly before his death in Havana in January 2002.

The 38-foot Wheeler Playmate yacht was initially restored in 1965 in
Havana's Casablanca shipyards, and the most recent thorough repairs were
made in 1987. A roof was built over the tennis court at Finca Vigia,
where the legendary ''Pilar'' has been stored since 1993.

Ada Rosa Alfonso, the director of the Hemingway house, now a museum, did
not mention the exact sum needed for the restoration, which will be
funded entirely by the Cuban state, but conservative estimates put it at
around $30,000 to $40,000 dollars.

''Although it will cost us less,'' she told IPS without further explanation.

Hewson had estimated that a thorough overhaul could cost up to 200,000
dollars if carried out in a U.S. shipyard, but much less if it were done
in Cuba.

Alfonso stressed that the George W. Bush administration has not allowed
any financial contribution to the restoration of the ''Pilar'' from U.S.
individuals or institutions interested in making donations.

''In spite of the goodwill of many people in the United States, this has
not been possible because of the blockade (the four-decade U.S. embargo
against Cuba).''

Nor have any U.S. funds been received for repairs to the
hurricane-battered Finca Vigia, which are now almost complete.

''We are plastering the house now, and soon we will restore the adjacent
three-story tower. When that is finished, we can put in furniture and
replace all the museum pieces in Hemingway's home,'' she said.

In November 2002, the Social Science Research Council in New York and
the Cuban government's National Council for Cultural Heritage signed an
agreement to salvage the documents, the Finca Vigia buildings and the
''Pilar'' -- all of the surviving relics of Hemingway's years on the island.

However, according to Alfonso, so far only technical assistance and
materials have arrived to catalogue and preserve the writer's papers.

''Some 18,000 pages'' have been preserved as well as completely
digitalised,'' she said.

''It will be a long process,'' she said, as there are still 900 maps,
3,000 photographs, and about 9,000 books, magazines, letters and
leaflets to preserve. As for the buildings and the boat, she estimated
that the work would be completed in late 2007 or early 2008.
Hemingway lived in Finca Vigia from 1940 to 1960. He bought it from a
Frenchman named D'Oron Duchamp, and wrote some of his works, including
''The Old Man and the Sea'', at the farmhouse on the four-kilometre farm.

Alfonso said she was very pleased about the ongoing restoration work,
because ''we are preserving this legacy for future generations'' of
people in Cuba and the United States.

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